About Donna A. Buchanan
A specialist in the musics of Bulgaria, the Balkans, Russia, and the Caucasus (especially Armenia and Georgia), Donna Buchanan’s scholarly interests include acoustemology, performativity, postsocialism, and the implication of sound in cosmology, social power, and the politics of identity. Her first book, Performing Democracy: Bulgarian Music and Musicians in Transition (University of Chicago Press, 2006, with accompanying CD-ROM), documents how the lives and musicianship of professional artists employed by Bulgaria’s top national folkoric ensembles were impacted by a decade of turbulent political change surrounding the demise of Zhivkov’s socialist regime in 1989. The editor of two anthologies, Balkan Popular Music and the Ottoman Ecumene: Music, Image, and Regional Political Discourse (Scarecrow Press, 2007, with accompanying VCD) and Soundscapes from the Americas: Ethnomusicological Essays on the Power, Poetics, and Ontology of Performance (Ashgate, 2014), her articles have appeared in the Anthropology of East Europe Review, Balkanistica, the British Journal of Ethnomusicology, Ethnomusicology, the International Journal of Musicology, and several edited collections.
Buchanan’s scholarship has been funded by fellowships from the American Council for Learned Societies-Social Science Research Council Joint Committee on Eastern Europe, Fulbright-Hays Program, International Research & Exchanges Board, and Wenner-Gren Foundation for Anthropological Research, as well as numerous campus awards. Named a 2017-18 Associate of the UI Center for Advanced Study, she was also the recipient of a 2018-19 NEH fellowship to support the writing of her forthcoming book, which explores the gendered, sonic, and spiritual power of bells in Bulgarian belief. Two additional ongoing projects include an ethnographic study of music, dance, and commemorative heritage among Bulgarian Armenians; and research with Bulgarian female folkoric musicians and ritual practitioners whose artistry breaks with preexisting gender codes.
Buchanan teaches courses on the musical cultures of the Balkans, Russia, and Eurasia; world music; ethnomusicological theory and methodologies; and various selected topics, including music and cosmology, ethnomusicological perspectives on performance and performativity, and postsocialist sounds in the new Europe. One of her greatest joys is directing and performing with Balkanalia, the University of Illinois Balkan Music Ensemble, which she established under the auspices of the School of Music and Russian, East European, and Eurasian Center (REEEC) in 1998.
From 2004-07 Buchanan served as director of REEEC, and then again as its acting director in 2018-19. She holds additional faculty affiliations with the Center for Global Studies; Center for South Asian and Middle Eastern Studies; European Union Center; Russian, East European, and Eurasian Center; Collaborative for Cultural Heritage Management and Policy; and Women & Gender in Global Perspectives Program.
Soundscapes from the Americas
balkan popular culture and the ottoman ecumene
Performing Democracy: Bulgarian Music and Musicians in Transition
Platanisios – Greek Syrtos – Performed by Balkanalia, April 18, 2015
BA (music, modern languages), Beloit College; MM and PhD (ethnomusicology), University of Texas at Austin