B.M., University of Akron; M.M., Cleveland State University
Reviews of the Chip Stephens CD, entitled, "Relevancy."
Quote; “This intimate and somewhat reflective sound scape of passion looks at not just music but the world itself with a new found wonder which seems to magically, if not mysteriously transcend the work presented here. The tunes are in the deep catalog, are pulled off in a masterful fashion and create lasting musical images long after the final notes die out.” 5 out of 5 stars. June, 2013; Criticaljazz.com, by Chris Spector.
Quote; “Stephens displays great fluency on the fast numbers and a deep introspective eloquence on the ballads. In my view, the accolades don’t come any higher!” June, 2013; Bebopspokenhere.blogspot.com.
Quote; “Breathe it in! Some real, muscular, no apologies hard bop piano! Stephens is a real deal, head-spinning jazz pianist! I love what he does and I think you will too!” July, 2013; Jsojazzscene.org/cdreviews, by George Fendel.
Quote; “Stephens makes good on his own words, delivering music that’s real, honest and true, but in doing so, proving that musical reality comes in different shapes and sizes. Stephens confirms his own "relevancy" in today’s jazz world with this appropriately titled release.” July, 2013; Allaboutjazz.com; by Dan Bilawasky.
Quote; “He’s well known in the jazz world, having played with iconic groups like Glenn Miller, Woody Herman, Maynard Ferguson, Benny Golson, Curtis Fuller and many others. Stephens is one hell of a pianist, and this unit is a “must listen to” group!” October, 2013; Jazz Scan, by Ric Bang.
Reviews of other recordings and performances;
"...and Stephens, a hardbop wizard whose "C. Hip's Blues", with its stop-time routines and tags, is the joyous highlight of this CD". New York City Jazz Record review; August, 2012 by George Kanzler.
"Chip Stephens is like Gaudi architecture, all riffs and adornments straight from nature - from music that you know and more amazing for being that way since he links every phrase into a whole that the most artful patissiere would envy: a finely spun wonder of the imagination from the same ingredients that usually bring us Pop Tarts". The Starr Review; September, 2012 by Ann Starr.
"Stephens' "C. Hip's" blues is an unexpected gem, set up and later consummated by a motif that derserves a role in a Pink Panther movie". Down Beat Magazine; October, 2012 by Jennifer Odell.
"Magical, mesmerizing, momentous. The Jazz Kitchen was transformed
Sought after for his outstanding collaborative abilities, Chip Stephens can be heard on nearly 70 records and compact discs as a side-man and band leader. In 2011, he performed with legendary jazz musicians, Benny Golson and Curtis Fuller. An album recorded with Fuller in 2010, entitled, “I Will Tell Her” remained at number 1 on the jazz radio charts for nearly two months. Mr. Stephens is regarded in the industry as a powerful jazz pianist, hard swinging, lyrical and clear. He has performed on 4 continents with some of the most prestigious names in jazz. Having performed on Grammy and Emmy winning recordings with trumpet legend Arturo Sandoval, his performing credits are many and include; Eden Atwood, Michael Brecker, Jerry Brown, Kenny Burrell, John Fedchock, Maynard Ferguson, Curtis Fuller, George Garzone, Greg Gisbert, Benny Golson, The Woody Herman Orchestra, Charlie Haden, Conrad Herwig, Milt Hinton, Red Holloway, Javon Jackson, Ingrid Jensen, Randy Johnston, Steve Kirby, Bill Kirchner, Ernie Krivda, Ralph Lalama, Tony Leonardi, Joe Lovano, The Glenn Miller Orchestra, Keith Oxman, Tito Puente, Nelson Rangell, Bobby Shew, Howie Smith, Clark Terry, Frank Tiberi, Roseanna Vitro, The Jim Widner Big Band and Glenn Wilson.
Since 2004, Mr. Stephens has been consistently ranked in the top 10% of University of Illinois professors. Along with being acknowledged by his students and the university for the exceptional quality of his instruction, performing abilities and overall achievements, Mr. Stephens was one of only four faculty recognized by the Committee on Promotion and Tenure, the Provost and Vice Chancellor in 2008 for his outstanding work. He maintains a very diverse teaching and performing career at both the national and international levels and has over fifteen years of teaching experience at the university level. This experience and diversity have proven beneficial to his students who have received national and international recognition for their work. Ten of Mr. Stephens’ students have been recognized in the Down Beat Student Music Awards and four have won their respective categories. Several of his students have secured university level teaching positions.