B.M. (highest distinction with honors), M.M., Performer's Certificate, Artist Diploma, D.Mus. | Indiana University School of Music
Known for her bold artistry and diverse repertoire, Ann Yeung is recognized as one of the leading teachers and harpists of her generation throughout the world. She has performed in festivals throughout Europe, Asia, and the Americas, judged international harp competitions in Europe, Asia, and North America, and enjoys a multi-faceted creative career. She has won top international prizes (France, Japan) and numerous national harp solo competitions. “A dynamic performer with considerable flair” – Harp Column, her performances have been described as “splendid and cast a powerful spell” - New York Concert Review. She is a Past President of the American Harp Society, Inc., having overseen a transformative period, and formerly Editor (2002-2014) of the World Harp Congress Review, for which the World Harp Congress recognized her in 2014 for outstanding dedication and service.
Upcoming activities include a presentation on Henriette Renié, "Recalling Innovation and Agency for Modern Times" featuring research supported by an Arthur O. Beckman Research Award from Illinois, at the 2019 American Harp Society, Inc. Summer Institute to be held at the University of North Carolina School of the Arts.
Past activities have included: the 2018 Harp Day to be held in Chicago at Lyon & Healy; a featured performance at the 13th World Harp Congress in Hong Kong as the Aletheia Duo and presentation at the 2017 American Harp Society, Inc. Summer Institute in Minnesota; the world premiere of Call of the Sirens by Richard Prior at the USA International Harp Competition; and performing for the Gala Concert celebrating the legacy of Susann McDonald at the American Harp Society, Inc. 2016 National Conference in Atlanta; the world premieres of Pegasus by Robert Paterson and Call of the Sirens by Richard Prior, commissioned by the Aletheia Duo; and world premieres at the 12th World Harp Congress in Sydney, Australia and the IX Rio Harp Festival in Rio de Janeiro, Brazil.
Other activities have included serving twice as a jury member (including Jury President) for the USA International Harp Competition, a second Aletheia Duo recording, Song of the Black Swan: Works Inspired by Nature (" ... the sound is marvelous. It particularly suits the Debussy; this is my new favorite recording." - American Record Guide), and collaborating with Chungliang Al Huang for his The Tao of Bach project with eDream and NCSA, available on DVD.
She is the only person to simultaneously receive first prizes in the two highest divisions of the American Harp Society, Inc. (AHS) National Competition as well as the Prix Renié. As a winner of Artists International, she premiered her transcription of the Goldberg Variations at Carnegie Hall in 1999, the first known performance of the complete work on the harp. Dedicated to the expansion of the repertoire, She has premiered numerous compositions, including multi-media works. She has made recordings for the Innova, Fons, Albany, and Cadenza labels including the critically acclaimed Voyage: American Works for Flute and Harp as part of the Aletheia Duo with Jonathan Keeble (“A spectacular pairing” – Harp Column; “achingly beautiful.” – American Record Guide).
She is the author of articles and reviews, which are published internationally in the World Harp Congress Review, The American Harp Journal, Association International des Harpistes et Amis de la Harpe, United Kingdom Harpists Association, The American Liszt Society Newsletter, and American String Teacher. She is also a contributing author for the American String Teachers Association book, A Harp in the Schools: Guide for School Ensemble Directors and Harpists. She is considered an authority on the works of Henriette Renié and has also given numerous presentations on Parish Alvars.
A sought-after teacher, she has given master classes at renowned institutions, including the Curtis Institute of Music, the Royal Academy of Music in London, and the Shanghai Conservatory. She has also given lectures and presentations at festivals and venues throughout the world. Her students have won international and national first prizes, published significant editions and articles, founded innovative ensembles, achieved distinction in various fields, lead some of the largest secondary school harp programs in the US, and have been appointed to university faculty and principal orchestra positions worldwide. She is a recipient of the Campus 2014 Award for Excellence in Graduate and Professional Teaching.
Currently serving on the Board of the World Harp Congress and previously on the Board of the AHS, she has received the 2015 College of Fine and Applied Arts Faculty Award for Excellence in Service in Illinois. She also is a 2013-2014 Fellow in the Committee on Institutional Cooperation (now Big Ten Academic Alliance) Academic Leadership Program. She has served as Associate Director of Faculty Affairs and Chair of the Strings Division in the Illinois School of Music.
Recognized for her exceptional ability to foster individual creativity and artistry in her students, Dr. Yeung notes that her goal is to provide an innovative and comprehensive education that will help her students reach their potential as creative artists in the 21st century. She is the Founder and Director of the Illinois Summer Harp Class (iSHC), with its 17th edition planned for 2019. She is also Principal Harp of the Sinfonia da Camera. With flutist Jonathan Keeble, she has established the Aletheia Duo Entrepreneurship Series to prepare students for creative arts activities and advocacy.
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